Out and Gone Record Release Show in Greensboro

It is happening again! The second record release show for two of the three new albums on Out and Gone Music with a special performance from Microkingdom, our friends from Baltimore who are also on the road in support of their new album.

Polyorchard will be Aaron Bachelder, Jil Christensen, Laurent Estoppey, David Menestres, Chris Robinson, and Michael Thomas Jackson.

Exsufflation Series #8

Polyorchard will be performing Jacques Demierre’s 17 on October 10th at The Carrack. 17 is a text score for quartet comprised entirely of words from Christian Wolff’s score for Exercise #12. Polyorchard will be Jil Christensen, Laurent Estoppey, Steve Landis, and David Menestres.

Jacob Wick (from Mexico City) will also be performing a solo set.

Music at 8pm. Suggested donation of $5.

The Carrack is located at 947 E. Main St, Durham, NC.

 

Polyorchard on IndyWeek’s best of 2015 list

Polyorchard’s Color Theory in Black and White made IndyWeek’s list of the Triangle’s Best albums of 2015.

From Grayson Currin:

Polyorchard was born a collective. Founded by upright bassist David Menestres, the always-evolving, forever-improvising ensemble could sprawl into a big lineup or shrink into modest formats. For Polyorchard’s debut, Menestres anchored two distinct trios—a “Black” trio with viola and cello and a “White” trio with trombone and saxophone. The string-based group is more prone to dig deep into ideas, as when they explore every millimeter of a textural drone late in “Black 1.” With horns, though, Menestres’ crew grows only more conversant and communicative. “White 4,” for instance, is a low and slow fireside circle, while “White 5” suggests a gaggle of chattering birds, sending signals to one another across an otherwise blank space.

Read the full list here.

Buy/stream the album in full here.

 

Polyorchard 1 + 1 and Bad Luck

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On October 14th, the newest iteration of Polyorchard will be opening for Bad Luck at Tortuga Gallery in Albuquerque. Polyorchard 1 + 1 will feature the double bass madness of Ben Wright and David Menestres. Bad Luck from Seattle will be on tour featuring Chris Icasiano on drums and Neil Welch on saxophone/electronics. Show starts at 8pm and is $10 at the door.

Listen to recordings of Polyorchard 1+1

 

Listen to the new album from Bad Luck

More on Bad Luck:

Over half a decade after their first performance, drummer Chris Icasiano and saxophonist Neil Welch continue to develop a unique musical voice together. Bad Luck has become a sonic outlet to be reckoned with. In the highly trodden medium of drums and saxophone, Bad Luck proves that there is much left to be said.

Called “One of the best Seattle jazz recordings in years” (Earshot Jazz) Bad Luck was awarded the “Best Outside Jazz Group” of 2009 by Earshot Magazine, and a finalist for “Best Avant Group” in the 2009 Inside Out awards. Performing all original compositions, the pair use live loops and pedals to create an astounding range of sound. Icasiano and Welch can quickly shift into fierce improvisations, sound art and carefully constructed harmonic palettes. A duo with skin tight precision and melodic inventiveness, their music is set off by a commanding stage presence.

 

May 2: Polyorchard + Jon Mueller

Polyorchard will be opening for the great Jon Mueller on May 2 at Neptunes Parlour. Very excited to be opening for one of my favorite musicians (Death Blues, Volcano Choir, Collections of Colonies of Bees, Pele, etc.). The show will start promptly at 7:30pm.

jon-mueller-polyorchard

Buy advance tickets here.

IndyWeek Preview:

Jon Mueller is one of music’s most versatile drummers. Pounding on the kick and cracking at the snare, he has served as the engine behind the rock-scrambling bands Pele, Collections of Colonies of Bees and Volcano Choir (essentially a collaboration between that last act and Bon Iver). As an improviser, he’s created long-form, stamina-demanding pieces that turn simple beats into pulsing, tantric drones. And as a bandleader, he built Death Blues, a cathartic and communal collective that treated symphonic forms, gospel choirs and string arrangements as methods for going loud and triumphant. For this solo tour, he will create an immersive, meditative soundworld using a hand drum and wordless vocals that he loops and mutates in real-time. Don’t be surprised if the set rattles your perception; Mueller’s ecstatic explorations have a tendency to do that. With Polyorchard. 7:30 p.m., $10, 14 W. Martin St., Raleigh, 919-833-1091, www.kingsbarcade.com. —Grayson Haver Currin

 

From Jon:

Within a 40 minute solo performance of percussion and voice, using a hand-made Arabic bass drum and looped wordless vocals, Mueller conjures world music and sound while remaining very particularly other worldly. Drawing from minimalism and a variety of musical and non-musical disciplines, including meditation, trance, and physical stamina, Mueller’s solo performances have been described by audiences as resilient, intense, and meditative.

The aim of Mueller’s solo performance is to engage an audience in listening practice by creating a variety of input both recognizable and not, understood and not, which causes a unique experience in each individual.

Jon Mueller has been a drummer and percussionist for over twenty-five years, performing throughout North America, Europe, United Kingdom, and Japan at places such as New Museum (New York), The Arnolfini (Bristol, UK), Musée des Beaux-Arts de Montréal, (Montréal, QC), Issue Project Room (New York), Guggenheim Museum (New York), Alverno Presents (Milwaukee), Hopscotch Fest (Raleigh), SXSW (Austin) and Cafe OTO (London, UK). His recordings have been released by record labels such as Table of the Elements, Type Recordings, Hometapes, Important Records, SIGE Records, Taiga Records, and others. A founding member of the bands Volcano Choir, Collections of Colonies of Bees, and Pele, he has also worked with musicians Rhys Chatham, Jarboe, James Plotkin, Fred Lonberg-Holm, Marcus Schmickler, Asmus Tietchens, and Z’EV, dancers Molly Shanahan and Heidi Latsky and filmmaker Scott Kawczynski, among others. In recent years, Mueller has directed the multi-disciplinary project Death Blues, encouraging presence and celebration of each moment. More info at www.rhythmplex.com.

“An audacious ringleader for new music.” – Pitchfork

“A complex experience you touch, live in, and meditate on.” – NPR

“Cerebral, emotional, and spiritual in nature.” – A Closer Listen

 

muellertour

 

Color Theory in Black and White

Polyorchard - Color Theory in Black and White - booklet - page 1

 

In the two and a half years of Polyorchard’s existence the band has blazed a trail across the territories of modern music performing their own compositions (spontaneous or otherwise), collaborating with Merzbow, paying tribute to Sun Ra on his 100th arrival day, and performing Terry Riley’s In C on the 50th anniversary of its premier. Polyorchard is a flexible fighting unit morphing to fit the battle of the day in formations ranging from small scale trios to the sprawling madness of a double dectet. Polyorchard has shared bills with artists as diverse as Duane Pitre, thingNY, Ken Vandermark/Nate Wooley duo, Michael Pisaro & Greg Stuart, Jon Mueller, and Half Japanese. Plans for 2015 include collaborating with Olivia Block, exploring the late work of John Coltrane, and further work with balloons.

Over one beautiful weekend in late September 2014 Polyorchard laid down it’s first studio recordings. Color Theory in Black and White represents two aspects of the trio personality. The first trio on the album is a string trio of Chris Eubank on cello, Dan Ruccia on viola, and David Menestres on bass. The back half of the album is occupied by the trio of Jeb Bishop on trombone, Laurent Estoppey on saxophones, and David Menestres on bass.

Color Theory in Black and White was recorded in glorious binaural sound by Dan Lilley and mastered by Andrew Weathers. Listen at maximum volume in front of your best speakers or get lost deep in the sound of your favorite headphones.

Black
Chris Eubank (cello)
David Menestres (bass)
Dan Ruccia (viola)

White
Jeb Bishop (trombone)
Laurent Estoppey (sax)
David Menestres (bass)

All music by Polyorchard ©2015

Binaural recording by Dan Lilley at The Store, Raleigh, NC September 27-28, 2014

Mastering by Andrew Weathers, Oakland, CA October 2014

Design by Lincoln Hancock

Liner notes by Emily Leon

Downloads & limited edition 2xCDr boxsets available at polyorchard.bandcamp.com

April 13: Polyorchard opens for Michael Pisaro and Greg Stuart

On April 13th Polyorchard will be opening for the composer Michael Pisaro and percussionist Greg Stuart and the Nightlight as part of the Experimental Music Study Group.

From the EMSG:

Monday, April 13, Nightlight, 8pm – EMSG performance + Polyorchard + Michael Pisaro and Greg Stuart
Tuesday, April 14, The Carrack, 8pm – Michael Pisaro and Greg Stuart: numbers and the siren
Join the Experimental Music Study Group for a captivating two-night residency featuring California-based composer Michael Pisaro and South Carolina-based percussionist Greg Stuart. A member of the Wandelweiser collective, Michael Pisaro crafts intricate soundscapes that hover at the boundaries between sound and silence, drawing attention to the act of listening. Greg Stuart’s inventive percussion music explores alternative techniques including sustained friction, gravity-based sounds, and sympathetic vibration. For nearly a decade, Pisaro and Stuart have collaborated on heralded projects and released recordings on the Gravity Wave label, forging a close bond between composer and performer.
On April 13 at Nightlight, Pisaro and Stuart perform closed categories in cartesian worlds, ethereal music for crotales and sine tones; performers from the Experimental Music Study Group will perform Pisaro’s fields have ears (4); and local improv collective Polyorchard will perform a set. And at the Carrack on April 14, Pisaro and Stuart unleash the spellbinding numbers and the siren, a ninety-minute duo for percussion and electronics in which distant sounds seep into the main performance space from a separate location. Both nights will offer a typically EMSG mixture of the unfamiliar and the enchanting: we hope to see you there!
$7 cover


(Set order: EMSG, Polyorchard, Pisaro/Stuart, Crowmeat Bob/Patrick Gallagher)
*Note: there will be an EMSG discussion meeting at 6:30pm prior to the performance; if you are interested in participating, please email williamlrobin@gmail.com

Collapss + Polyorchard present COBRA: March 29 & April 3

Every society has rules that people deal with in different ways. What I basically create [in the game pieces] is a small society and everybody kind of finds their own position in that society. It really becomes, like, a psychodrama. It’s like scream therapy, or primal therapy. People are given power and it’s very interesting to see which people like to run with that power, which people run away from it [and] who are very docile and just do what they’re told [and those] who try very hard to get more control and more power. . . . It’s very much like the political arena, in a certain kind of a sense . . . [where performers] are having a little carrot dangled in front of them. And it’s interesting to see who tries to grab the carrot and who doesn’t. And a lot of times the people who try to grab the carrot, it’s pulled out of their hands by someone else in the band. So, it becomes kind of a scary, frightening thing to be in front of that band to see these people blossom and become the assholes that they really are.

-John Zorn speaking about Cobra to Derek Bailey

cobra-3

 

 

Collapss + Polyorchard present John Zorn’s Cobra:

March 29 at The Shed 8pm (807 E. Main St., Durham NC 27701)

April 3 at Empire Books in Greensboro at 7:30pm (1827 B Spring Garden St., Greensboro NC 27403)

Scheduled to be participating:
Carole Ott (voice) Tadeu Coelho (flute) Steve Stusek (saxophone) Nick Rich (guitar) Jonathan Wall (electronics) David Menestres (bass, objects) Jason Bivins (guitar) Dan Ruccia (viola) Bill McConaghy (trumpet) Christopher Robinson (saxophone) Charles Phaneuf (clarinet) Laurent Estoppey (Cobra Commander)

IndyWeek preview:

John Zorn’s Cobra is a sort of musical game. The composer becomes the conductor, leading an ensemble of varying sizes by holding up cue cards, making some gesture or movement, and commanding a subset of players to respond to the instructions. By design, it’s incredibly mutable, capable of shifting from atonal paroxysms to dreamy drones without any sense of logic. For this performance, Raleigh’s Polyorchard and Greensboro’s Collapss combine for a two-show tour, starting in Durham tonight but ending in the Gate City April 3rd. For maximum edification, see both, and understand just how flexible games can get. —Grayson Haver Currin

 

February 28: Polyorchard + Microkingdom

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Polyorchard + Microkingdom will be playing a house show on Saturday February 28 at 719 Devereux St. (Raleigh, 27605). Show starts at 8pm with an $8-10 suggested donation at the door, cash only.

Polyorchard will be Jeb Bishop, Chris Eubank, Bill McConaghy, David Menestres, & Dan Ruccia.

Microkingdom will be on tour supporting their new album Smooth Tendencies, released by Friends Records on Valentine’s Day. Check out a recent live performance from Microkingdom:

And the new album