The Exsufflation Series at The Carrack

Exsufflation
ex·suf·fla·tion
eksəˈflāshən

the action of breathing forth or blowing; this action used as an exorcism in some rites of baptism

Polyorchard is pleased to announce The Exsufflation Series, a new monthly residency at The Carrack in Durham. Following on the heels of the successful monthly Free Improvised Tuesday series, The Exsufflation Series will focus on the grey area that Polyorchard has been mining for the last four years: the intersection of jazz, classical, & experimental traditions. In addition to free improvisation, the repertoire will be drawn from all manners of music with a special focus on spontaneous compositions from the ensemble, commissioning new works from members of Polyorchard and from other composers around the world, and selections from the repertoire of late twentieth/twenty-first century classical music.

The first date in the series, March 21, marks the first Polyorchard performance in NC since May of 2015. Performers for March 21 will include:

Laurent Estoppey (ensemBle baBel, collapss, Christian Marclay, etc.)
Shawn Galvin (New Music Raleigh, NC Symphony, Pittsburgh Symphony, etc.)
Bill McConaghy (MicroEast Collective, etc.)
David Menestres (leader of Polyorchard, Eugene Chadbourne, etc.)
Charles Phaneuf (hardest working man in showbiz)

The music begins at 8pm, every third Tuesday. The events are free and open to all.

Future dates in the series:
April 18
May 16
June 20
July 18
August 15

Chris Vitiello writing in IndyWeek: “The revolving, motley assortment of classical, jazz and rock musicians have played practically every kind of music in every possible configuration in almost every Triangle venue, emerging as a vital and wonderfully vexing force of the area’s sonic fringes.”

 

Allison Hussey’s Concert Preview in IndyWeek:

Much like taking a dip in a flowing river, you never take in the same Polyorchard show twice. Combining elements of free jazz, classical music, and whatever the hell else they feel like, Polyorchard is a free-form experimental music collective that challenges—and often outright transcends—boundaries of genre and style. The group went on an extended hiatus that began in the spring of 2015, when leader David Menestres decamped for a spell in New Mexico. Menestres has since returned and so, too, has Polyorchard. The group has long relied on a revolving roster of players, and this week’s iteration features Laurent Estoppey and Charles Phanheuf on saxophones, New Music Raleigh cofounder Shawn Galvin, and Menestres on bass. Tuesday night’s gathering is the first in a monthly series at The Carrack that runs through August.

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The Carrack http://thecarrack.org/  947 E. Main St., Durham, NC 27701

Polyorchard’s first album “Color Theory in Black and White” https://polyorchard.bandcamp.com/

“Color Theory in Black and White” was #11 on IndyWeek’s 25 Best Albums of 2015
IndyWeek review of “Color Theory in Black and White”

Polyorchard performs “Between Know and Then” a tribute to Sun Ra on his 100th birthday https://www.youtube.com/watch?v=67MmaJlV9h0&list=PLjACqM_Pm2eiA00JAZizc5xJhootMqKFv

Polyorchard performs Terry Riley’s 1964 composition “In C” on the 50th anniversary of it’s premiere https://www.youtube.com/watch?v=mVwqgd_jwss&list=PLjACqM_Pm2ei6ImXQKnagWbEugQ9LP5YH

Live recordings https://soundcloud.com/polyorchard

May 2: Polyorchard + Jon Mueller

Polyorchard will be opening for the great Jon Mueller on May 2 at Neptunes Parlour. Very excited to be opening for one of my favorite musicians (Death Blues, Volcano Choir, Collections of Colonies of Bees, Pele, etc.). The show will start promptly at 7:30pm.

jon-mueller-polyorchard

Buy advance tickets here.

IndyWeek Preview:

Jon Mueller is one of music’s most versatile drummers. Pounding on the kick and cracking at the snare, he has served as the engine behind the rock-scrambling bands Pele, Collections of Colonies of Bees and Volcano Choir (essentially a collaboration between that last act and Bon Iver). As an improviser, he’s created long-form, stamina-demanding pieces that turn simple beats into pulsing, tantric drones. And as a bandleader, he built Death Blues, a cathartic and communal collective that treated symphonic forms, gospel choirs and string arrangements as methods for going loud and triumphant. For this solo tour, he will create an immersive, meditative soundworld using a hand drum and wordless vocals that he loops and mutates in real-time. Don’t be surprised if the set rattles your perception; Mueller’s ecstatic explorations have a tendency to do that. With Polyorchard. 7:30 p.m., $10, 14 W. Martin St., Raleigh, 919-833-1091, www.kingsbarcade.com. —Grayson Haver Currin

 

From Jon:

Within a 40 minute solo performance of percussion and voice, using a hand-made Arabic bass drum and looped wordless vocals, Mueller conjures world music and sound while remaining very particularly other worldly. Drawing from minimalism and a variety of musical and non-musical disciplines, including meditation, trance, and physical stamina, Mueller’s solo performances have been described by audiences as resilient, intense, and meditative.

The aim of Mueller’s solo performance is to engage an audience in listening practice by creating a variety of input both recognizable and not, understood and not, which causes a unique experience in each individual.

Jon Mueller has been a drummer and percussionist for over twenty-five years, performing throughout North America, Europe, United Kingdom, and Japan at places such as New Museum (New York), The Arnolfini (Bristol, UK), Musée des Beaux-Arts de Montréal, (Montréal, QC), Issue Project Room (New York), Guggenheim Museum (New York), Alverno Presents (Milwaukee), Hopscotch Fest (Raleigh), SXSW (Austin) and Cafe OTO (London, UK). His recordings have been released by record labels such as Table of the Elements, Type Recordings, Hometapes, Important Records, SIGE Records, Taiga Records, and others. A founding member of the bands Volcano Choir, Collections of Colonies of Bees, and Pele, he has also worked with musicians Rhys Chatham, Jarboe, James Plotkin, Fred Lonberg-Holm, Marcus Schmickler, Asmus Tietchens, and Z’EV, dancers Molly Shanahan and Heidi Latsky and filmmaker Scott Kawczynski, among others. In recent years, Mueller has directed the multi-disciplinary project Death Blues, encouraging presence and celebration of each moment. More info at www.rhythmplex.com.

“An audacious ringleader for new music.” – Pitchfork

“A complex experience you touch, live in, and meditate on.” – NPR

“Cerebral, emotional, and spiritual in nature.” – A Closer Listen

 

muellertour

 

April 13: Polyorchard opens for Michael Pisaro and Greg Stuart

On April 13th Polyorchard will be opening for the composer Michael Pisaro and percussionist Greg Stuart and the Nightlight as part of the Experimental Music Study Group.

From the EMSG:

Monday, April 13, Nightlight, 8pm – EMSG performance + Polyorchard + Michael Pisaro and Greg Stuart
Tuesday, April 14, The Carrack, 8pm – Michael Pisaro and Greg Stuart: numbers and the siren
Join the Experimental Music Study Group for a captivating two-night residency featuring California-based composer Michael Pisaro and South Carolina-based percussionist Greg Stuart. A member of the Wandelweiser collective, Michael Pisaro crafts intricate soundscapes that hover at the boundaries between sound and silence, drawing attention to the act of listening. Greg Stuart’s inventive percussion music explores alternative techniques including sustained friction, gravity-based sounds, and sympathetic vibration. For nearly a decade, Pisaro and Stuart have collaborated on heralded projects and released recordings on the Gravity Wave label, forging a close bond between composer and performer.
On April 13 at Nightlight, Pisaro and Stuart perform closed categories in cartesian worlds, ethereal music for crotales and sine tones; performers from the Experimental Music Study Group will perform Pisaro’s fields have ears (4); and local improv collective Polyorchard will perform a set. And at the Carrack on April 14, Pisaro and Stuart unleash the spellbinding numbers and the siren, a ninety-minute duo for percussion and electronics in which distant sounds seep into the main performance space from a separate location. Both nights will offer a typically EMSG mixture of the unfamiliar and the enchanting: we hope to see you there!
$7 cover


(Set order: EMSG, Polyorchard, Pisaro/Stuart, Crowmeat Bob/Patrick Gallagher)
*Note: there will be an EMSG discussion meeting at 6:30pm prior to the performance; if you are interested in participating, please email williamlrobin@gmail.com

February 28: Polyorchard + Microkingdom

microkingdom-2

Polyorchard + Microkingdom will be playing a house show on Saturday February 28 at 719 Devereux St. (Raleigh, 27605). Show starts at 8pm with an $8-10 suggested donation at the door, cash only.

Polyorchard will be Jeb Bishop, Chris Eubank, Bill McConaghy, David Menestres, & Dan Ruccia.

Microkingdom will be on tour supporting their new album Smooth Tendencies, released by Friends Records on Valentine’s Day. Check out a recent live performance from Microkingdom:

And the new album

 

February 26: EMSG + Polyorchard

EMSG Braxton

The next meeting of the Experimental Music Study Group will be February 26 at The Shed in Durham (807 E. Main St.). The meeting starts at 7:30pm and will be followed by Polyorchard performing the graphic scores of Anthony Braxton at 9pm. Braxton himself will be talking at The Pinhook at 6pm. And if somehow you don’t know, Anthony Braxton and Diamond Curtain Wall Quintet will be performing the next night, Friday February 27 as part of Duke Performances. A rare chance to see one of the giants of modern American music.

Polyorchard will be Jeb Bishop, Jil Christansen, Bill McConaghy, David Menestres, David Morris, Christopher Robinson, Dan Ruccia, & Heidi Wait.

More info on the EMSG at their website, including a sign up for the email list, the best way to keep up with their activites, including up coming residencies with R. Andrew Lee & Erik Carlson in March and Michael Pisaro & Greg Stuart in April.  And while we’re on the subject of signing up for email lists, on the right side of this page there is a sign up for the Polyorchard email list. Sign up!

Polyorchard 10tet at Neptunes

Monday 10/20 is the third night of the Polyorchard October residency at Neptunes Parlour. This night will feature a large ensemble formation of Polyorchard with a focus on winds and brass. Performers include Jeb Bishop, Laurent Estoppey, David Jordan, Jamie Keesecker, Bill McConaghy, David Menestres, David Morris, Bob Pence, Chris Robinson, Carrie Shull. The program will include variations on Eva-Maria Houben’s von da nach da and a new tune of mine called More Birds in Rhyme (aka stupid bird songs).

9pm, $5 suggested donation at the door

polyorchard october neptunes

“Between Know and Then”

Polyorchard performing “Between Know and Then” at Neptune’s Parlour May 22, 2014 on the occasion of Sun Ra’s 100th arrival day


Jason Bivins – guitar
Sara Bloo – voice, percussion
Chris Eubank – cello, electronics
Jamie Keesecker – french horn
Bill McConaghy – trumpet
David Menestres – bass
Ken Moshesh – percussion
Carrie Shull – oboe, electronics
Julianna Thomas – projections

recorded by Dan Schram

Polyorchard May 22 at Neptune’s Parlour

PolyorchardMay222014

 

Polyorchard will be playing at Neptune’s Parlour on Thursday Nay 22, 2014.

8pm 21+ $5 suggested donation

The lineup will be Carrie Shull, Jason Bivins, Sara Bloo, Chris Eubank, Julianna Thomas, Bill McConaghy, Ken Moshesh, & Jamie Keesecker.

redrawblack at Nightlight

Polyorchard will be opening for redrawblack at the Nightlight on Tuesday January 14, 2014. This iteration of Polyorchard will include Chris Eubank on cello, Bill McConaghy on trumpet, Jamie Keesecker on French horn, Shawn Galvin on percussion, your favorite jerk on bass, and a couple of surprise kooks. Conspicuous Convulsion (Jason Aylward, Laurent Estoppey, Kenneth Ells, Crowmeat Bob, Drew Robertson) is also on the bill.

9:30 $6/$8

 

Check out redrawblack on bandcamp:

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event page