tone science 307

1. Kyrie – Dieter Schnebel – Missa – 1993
2. And She Speaks Purple Amaranth – Ab Baar’s – And She Speaks – 2018

3. The Mind of God – Michael Moss the Accidental Orchestra – Helix – 2018
4. Big Alice – George Adams & Don Pullen Quartet – Live at the Village Vanguard vol. 2 – 1983

5. Game is Up – Henry Threadgill – Double Up, Plays Double Up Plus – 2018
6. Ddd – YoshimiO, Susie Ibarra, Robert Aiki Aubrey Lowe – Flower of Sulphur
7. Anea Crystal Seed I & II – Chaya Czernowin/Diotima Quartet – Shifting Gravity

8. The Strength of Blue – Shanna Sordahl – Radiate Don’t Fear The Quietus – 2018

originally broadcast June 24, 2018

Red October

Red October

available October 15, 2017 from Out and Gone Music
Red October is the new live album from Polyorchard, featuring the quartet of

Jeb Bishop – trombone

Laurent Estoppey – saxophones

Shawn Galvin – percussion

David Menestres – double bass

Recorded live in concert in the basement at Neptune’s Parlour (barely more than a week after the studio sessions that resulted in the previous album Color Theory in Black and White), the quartet spins ideas with the tensile strength and malicious beauty of a spider working alone in the dark. Polyorchard is a flexible fighting unit, expanding and contracting as needed to face the battle of the day. The Red October quartet features players who have been the foundations for several strains of Polyorchard since its inception in December of 2012.

Red October is available from Out and Gone Music as a limited edition cassette or download.

Liner Notes by Emily Leon

Within seconds of listening to Red October, I felt as though I was the steel ball in a pinball game – the subject being manipulated inside of a glass box. I’m not suggesting cheap entertainment, but rather implying that, like the steel ball, this album propels you into the playfield: targets, holes and saucers, spinners and rollovers, gates. The gate motif often represents an entrance and an exit, a passage to a new beginning, and there are clear moments of a sounding procession throughout this album. Red October produces infinite possibilities of sound, and can be heard and experienced in infinite ways. There is an energy that consumes your consciousness, traps you in your own mind, and releases you as a means to undergo a transformative experience.

Perhaps Gaston Bachelard’s question featured in The Poetics of Space applies here, “In this drama of intimate geometry, where should one live?”


Polyorchard on IndyWeek’s best of 2015 list

Polyorchard’s Color Theory in Black and White made IndyWeek’s list of the Triangle’s Best albums of 2015.

From Grayson Currin:

Polyorchard was born a collective. Founded by upright bassist David Menestres, the always-evolving, forever-improvising ensemble could sprawl into a big lineup or shrink into modest formats. For Polyorchard’s debut, Menestres anchored two distinct trios—a “Black” trio with viola and cello and a “White” trio with trombone and saxophone. The string-based group is more prone to dig deep into ideas, as when they explore every millimeter of a textural drone late in “Black 1.” With horns, though, Menestres’ crew grows only more conversant and communicative. “White 4,” for instance, is a low and slow fireside circle, while “White 5” suggests a gaggle of chattering birds, sending signals to one another across an otherwise blank space.

Read the full list here.

Buy/stream the album in full here.


Color Theory in Black and White

Polyorchard - Color Theory in Black and White - booklet - page 1


In the two and a half years of Polyorchard’s existence the band has blazed a trail across the territories of modern music performing their own compositions (spontaneous or otherwise), collaborating with Merzbow, paying tribute to Sun Ra on his 100th arrival day, and performing Terry Riley’s In C on the 50th anniversary of its premier. Polyorchard is a flexible fighting unit morphing to fit the battle of the day in formations ranging from small scale trios to the sprawling madness of a double dectet. Polyorchard has shared bills with artists as diverse as Duane Pitre, thingNY, Ken Vandermark/Nate Wooley duo, Michael Pisaro & Greg Stuart, Jon Mueller, and Half Japanese. Plans for 2015 include collaborating with Olivia Block, exploring the late work of John Coltrane, and further work with balloons.

Over one beautiful weekend in late September 2014 Polyorchard laid down it’s first studio recordings. Color Theory in Black and White represents two aspects of the trio personality. The first trio on the album is a string trio of Chris Eubank on cello, Dan Ruccia on viola, and David Menestres on bass. The back half of the album is occupied by the trio of Jeb Bishop on trombone, Laurent Estoppey on saxophones, and David Menestres on bass.

Color Theory in Black and White was recorded in glorious binaural sound by Dan Lilley and mastered by Andrew Weathers. Listen at maximum volume in front of your best speakers or get lost deep in the sound of your favorite headphones.

Chris Eubank (cello)
David Menestres (bass)
Dan Ruccia (viola)

Jeb Bishop (trombone)
Laurent Estoppey (sax)
David Menestres (bass)

All music by Polyorchard ©2015

Binaural recording by Dan Lilley at The Store, Raleigh, NC September 27-28, 2014

Mastering by Andrew Weathers, Oakland, CA October 2014

Design by Lincoln Hancock

Liner notes by Emily Leon

Downloads & limited edition 2xCDr boxsets available at

Hello In There

Raw audio from the July 28, 2014 New Directions in Appalachian Music show

John Prine’s Hello In There:


The band:

Jeb Bishop – trombone
Eugene Chadbourne – guitar, vocals
Dave Doyle – french horn
Chris Eubank – cello
Jimmy GIlmore – guitar
David Menestres – bass
Carrie Shull – oboe
Ken Ray Wilemon – drums

“Between Know and Then”

Polyorchard performing “Between Know and Then” at Neptune’s Parlour May 22, 2014 on the occasion of Sun Ra’s 100th arrival day

Jason Bivins – guitar
Sara Bloo – voice, percussion
Chris Eubank – cello, electronics
Jamie Keesecker – french horn
Bill McConaghy – trumpet
David Menestres – bass
Ken Moshesh – percussion
Carrie Shull – oboe, electronics
Julianna Thomas – projections

recorded by Dan Schram

Insect & Western Party Hits the Trail

Thanks to everyone who supported the trials and tribulations of the Insect & Western Party residency at Neptune’s Parlour this summer. This list is probably not anywhere near complete but here it is:

Paul, Cheetie, and everyone else at Neptune’s.

Lincoln Hancock for the excellent poster design (holler at me if you are interested in a poster, still have a few left).

The band: Eugene Chadbourne, Jeb Bishop, Dave Doyle, Chris Eubank, Dan Ruccia, Carrie Shull, and me.

Dan Schram and Jeb Bishop for the recordings.

The audience!

And everyone who helped spread the word.

The Insect & Western Party Live at Neptune’s is available for purchase from Eugene Chadbourne in his custom hand made packaging (fly swatters and insects probably not included). “Bugs” produced July 27, 2013 on the occasion of Bugs Bunny’s 73rd birthday.

Check out a couple of videos from July 15th here.


Now we just need to find someone to give it a proper vinyl release.

The Cricket In My Life

Two views of The Cricket In My Life, live at Neptune’s Parlour in Raleigh, NC

July 15th (recorded by Dan Schram):

July 22nd (recorded by Jeb Bishop):

Eugene Chadbourne (banjo, dobro)
Jeb Bishop (trombone)
Dave Doyle (french horn, mandolin, banjoette)
Chris Eubank (cello, iPad)
David Menestres (bass)
Dan Ruccia (viola)
Carrie Shull (oboe)

You can also see video of the July 15th performance here

Monday July 29 is the last chance to catch the Insect & Western Party before we ride off into the sunset.

Insect and Western videos

Two videos from the Insect and Western gig at Neptune’s Parlour on July 15.

“The Cricket In My Life”


“Peacock/Mexican Yellow”


The band is Eugene Chadbourne, Jeb Bishop, Dave Doyle, Chris Eubank, David Menestres, Dan Ruccia, Carrie Shull. Thanks to Dan Schram for the video.