“Between Know and Then”

Polyorchard performing “Between Know and Then” at Neptune’s Parlour May 22, 2014 on the occasion of Sun Ra’s 100th arrival day


Jason Bivins – guitar
Sara Bloo – voice, percussion
Chris Eubank – cello, electronics
Jamie Keesecker – french horn
Bill McConaghy – trumpet
David Menestres – bass
Ken Moshesh – percussion
Carrie Shull – oboe, electronics
Julianna Thomas – projections

recorded by Dan Schram

Polyorchard May 22 at Neptune’s Parlour

PolyorchardMay222014

 

Polyorchard will be playing at Neptune’s Parlour on Thursday Nay 22, 2014.

8pm 21+ $5 suggested donation

The lineup will be Carrie Shull, Jason Bivins, Sara Bloo, Chris Eubank, Julianna Thomas, Bill McConaghy, Ken Moshesh, & Jamie Keesecker.

review of the 12/19 Polyorchard show

Will Robin reviewed the Polyorchard show on 12/19 for IndyWeek:

Polyorchard, Baby Copperhead, Tegucigalpan
Nightlight
Thursday, Dec. 19

“There’s more of us than you,” announced bassist David Menestres. His band began to play.

Performances by the improvisation collective Polyorchard typically have a bit more balance between audience members and musicians; at any of their Nightlight shows during the past year, there’ve been maybe four musicians on stage and at least five observers. But just before Christmas, only a handful of Nightlight denizens watched an ensemble of Justice League proportions share the space. There were seven players—or , as trombonist Jeb Bishop said, a “Polyorchardstra.”

Each Polyorchard performance is wholly distinct, forged in real time. At Nightlight, the musicians had no scores to play from or any pre-formed ideas. They interacted with each other on stage, listening closely to a quizzical variety of noises and forming them into dense webs. The 30-minute set began with a series of intimate rustles, emerging from Menestres’ bass and Dan Ruccia’s viola. Chris Eubank soon joined on cello (that string trio is one of the better iterations of Polyorchard I’ve heard in the past). From there, the sounds expanded outwards: Bishop’s softly growling trombone, Sara Bloo’s vocal murmurs, Jamie Keesecker’s trembling French horn, Jason Bivins’ hushed guitar. Each instrumentalist delved into extremes of technique.
With seven musicians coming toward you, one’s ear becomes drawn to individual sounds and how they mesh together in micro-interactions. The bluesy tone of the trombone can become the counterpart to a chiaroscuro viola melody.
The atmosphere would suddenly switch moods, too. At one point, a steady guitar/bass pulse emerged, with Bloo cooing in intense rhythm, echoing the ululations of Meredith Monk. And then, pure noise: Menestres squeaked on the back of his bass, and Bivins mashed into his guitar strings on his lap, while Bloo moved water around in jars. At one point, half a chopstick flew towards me, having broken out of Menestres’s hands as he hit it fiercely against his strings. The result of seven expert improvisers became greater than its parts.

read the full review here

 

 

 

Polyorchard & Baby Copperhead

We’ll be celebrating Polyorchard’s first anniversary at the Nightlight on December 19th with my good friend Baby Copperhead and Tegucigalpan. Baby Copperhead put out an excellent new album this year that you should definitely go buy. Joining me in Polyorchard will be Jeb Bishop, Dan Ruccia, Chris Eubank, Sara Bloo, Jamie Keesecker, Jason Bivins, and other kookie kids.

 

From IndyWeek:

This has been a good year for free improvisation in the Triangle. Legendary trombonist Jeb Bishop has landed in the area, and improviser Eugene Chadbourne hosted a month-long residency at Neptune’s last summer. But the highlight of this tiny yet vibrant scene has been the collective Polyorchard, which celebrates its one-year anniversary this week. The ensemble may be young, but it includes longstanding improvisers in its ranks—Bishop, bassist (and Polyorchard founder) David Menestres, cellist Chris Eubank, composer and violist Dan Ruccia, only by way of example.

Polyorchard has taken many forms, from intimate, unamplified string trio to a cacophonous group featuring Japanese noise pioneer Merzbow. Their music is often severe but always intriguing, conceived fully in the moment. There are no rehearsals nor any pre-performance planning; Menestres and company just show up and play, responding to one another’s sounds in real time.A bonus is the recent addition of eclectic vocalist Sara Bloo, who creates magical effects by singing into bowls (yes, bowls). Experimental banjo player Baby Copperhead and Tegucigalpan, a new solo project from Waumiss and Kingsbury Manx member Clarque Blomquist, are also on the bill. —William Robin

polyorchard:babycopperhead at nightlight

 

9:30pm $5/$7

event page for those on the evil facebook

Baby Copperhead’s The Bee Song (with Brent Arnold, Jessica Pavone, Tom Swafford)

Tegucigalpan at Fellowship Hall in Durham 22 July 2013

 

 

 

Polyorchard + Lud + Half Japanese

Half Japanese

This night Polyorchard will be Carrie Shull (oboe), Sara Bloo (voice, percussion), Dan Ruccia (viola), Shawn Galvin (percussion), and I (bass). We start promptly at 8:30 followed by Lud and Half Japanese.

Thursday, October 24th at KINGS:

Half Japanese

Few of punk rock’s founding fathers could have anticipated the extreme to which Half Japanese took the music’s do-it-yourself ethos. Founded by brothers Jad and David Fair, Half Japanese was quite probably the most amateurish rock band to make a record since the Shaggs, all but ignoring musical basics like chords, rhythms, and melody. However, the brothers made that approach into a guiding aesthetic, steadfastly refusing to progress in their primitive musicianship over a career that lasted decades. Their unpredictable, full-of-life show is not be missed.

w/ Lud and Polyorchard

presented by Cat’s Cradle and Kings

$12 tickets
8pm doors / 8:30 show

www.kingsbarcade.com

event page