From the EMSG:
Tuesday, April 14, The Carrack, 8pm – Michael Pisaro and Greg Stuart: numbers and the siren
From the EMSG:
Monday January 12 marks the beginning of a new group “for the exploration and performance of experimental music in Chapel Hill and Durham.” The Experimental Music Study Group meets at 7:30 at the Nightlight in Chapel Hill for a discussion followed by a performance of this month’s scores at 9pm after which Polyorchard will perform. This line up of Polyorchard will be Jeb Bishop, Jil Christiansen, Laurent Estoppey, and me.
On Sunday December 14, I’ll be performing with Tatsuya Nakatani at Nightlight in Chapel Hill. Small group improvisations conducted by Tatsuya. Music at 8pm,.$7/$9
Polyorchard will be opening for redrawblack at the Nightlight on Tuesday January 14, 2014. This iteration of Polyorchard will include Chris Eubank on cello, Bill McConaghy on trumpet, Jamie Keesecker on French horn, Shawn Galvin on percussion, your favorite jerk on bass, and a couple of surprise kooks. Conspicuous Convulsion (Jason Aylward, Laurent Estoppey, Kenneth Ells, Crowmeat Bob, Drew Robertson) is also on the bill.
Check out redrawblack on bandcamp:
Polyorchard, Baby Copperhead, Tegucigalpan
Thursday, Dec. 19
“There’s more of us than you,” announced bassist David Menestres. His band began to play.
Performances by the improvisation collective Polyorchard typically have a bit more balance between audience members and musicians; at any of their Nightlight shows during the past year, there’ve been maybe four musicians on stage and at least five observers. But just before Christmas, only a handful of Nightlight denizens watched an ensemble of Justice League proportions share the space. There were seven players—or , as trombonist Jeb Bishop said, a “Polyorchardstra.”
Each Polyorchard performance is wholly distinct, forged in real time. At Nightlight, the musicians had no scores to play from or any pre-formed ideas. They interacted with each other on stage, listening closely to a quizzical variety of noises and forming them into dense webs. The 30-minute set began with a series of intimate rustles, emerging from Menestres’ bass and Dan Ruccia’s viola. Chris Eubank soon joined on cello (that string trio is one of the better iterations of Polyorchard I’ve heard in the past). From there, the sounds expanded outwards: Bishop’s softly growling trombone, Sara Bloo’s vocal murmurs, Jamie Keesecker’s trembling French horn, Jason Bivins’ hushed guitar. Each instrumentalist delved into extremes of technique.
With seven musicians coming toward you, one’s ear becomes drawn to individual sounds and how they mesh together in micro-interactions. The bluesy tone of the trombone can become the counterpart to a chiaroscuro viola melody.
The atmosphere would suddenly switch moods, too. At one point, a steady guitar/bass pulse emerged, with Bloo cooing in intense rhythm, echoing the ululations of Meredith Monk. And then, pure noise: Menestres squeaked on the back of his bass, and Bivins mashed into his guitar strings on his lap, while Bloo moved water around in jars. At one point, half a chopstick flew towards me, having broken out of Menestres’s hands as he hit it fiercely against his strings. The result of seven expert improvisers became greater than its parts.
We’ll be celebrating Polyorchard’s first anniversary at the Nightlight on December 19th with my good friend Baby Copperhead and Tegucigalpan. Baby Copperhead put out an excellent new album this year that you should definitely go buy. Joining me in Polyorchard will be Jeb Bishop, Dan Ruccia, Chris Eubank, Sara Bloo, Jamie Keesecker, Jason Bivins, and other kookie kids.
This has been a good year for free improvisation in the Triangle. Legendary trombonist Jeb Bishop has landed in the area, and improviser Eugene Chadbourne hosted a month-long residency at Neptune’s last summer. But the highlight of this tiny yet vibrant scene has been the collective Polyorchard, which celebrates its one-year anniversary this week. The ensemble may be young, but it includes longstanding improvisers in its ranks—Bishop, bassist (and Polyorchard founder) David Menestres, cellist Chris Eubank, composer and violist Dan Ruccia, only by way of example.
Polyorchard has taken many forms, from intimate, unamplified string trio to a cacophonous group featuring Japanese noise pioneer Merzbow. Their music is often severe but always intriguing, conceived fully in the moment. There are no rehearsals nor any pre-performance planning; Menestres and company just show up and play, responding to one another’s sounds in real time.A bonus is the recent addition of eclectic vocalist Sara Bloo, who creates magical effects by singing into bowls (yes, bowls). Experimental banjo player Baby Copperhead and Tegucigalpan, a new solo project from Waumiss and Kingsbury Manx member Clarque Blomquist, are also on the bill. —William Robin
event page for those on the evil facebook
Baby Copperhead’s The Bee Song (with Brent Arnold, Jessica Pavone, Tom Swafford)
Tegucigalpan at Fellowship Hall in Durham 22 July 2013
Polyorchard (Dan Ruccia, Shawn Galvin, Jeb Bishop, & me) will be opening for Duane Pitre at the Nightlight in Chapel Hill on Friday August 16th. Show starts at 9:30pm. This is Duane’s first show in the Triangle since his appearance at the 2011 Hopscotch Music Festival.
Read IndyWeek’s article on Duane: “Duane Pitre and the simple spell of seemingly difficult music”
Duane performing at the Museum of Contemporary Art Detroit back in June: